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Archive for the ‘Links’ Category

How to Get Into an Ivy League College — Guaranteed. Would the rise of this kind of services worsen inequality and education arms race?

The Trouble With Harvard –  The Ivy League is broken and only standardized tests can fix it. Steven Pinker’s response to William Deresiewicz’s article I linked to earlier.

How to see into the futureby Tim Harford

So what is the secret of looking into the future? Initial results from the Good Judgment Project suggest the following approaches. First, some basic training in probabilistic reasoning helps to produce better forecasts. Second, teams of good forecasters produce better results than good forecasters working alone. Third, actively open-minded people prosper as forecasters.

But the Good Judgment Project also hints at why so many experts are such terrible forecasters. It’s not so much that they lack training, teamwork and open-mindedness – although some of these qualities are in shorter supply than others. It’s that most forecasters aren’t actually seriously and single-mindedly trying to see into the future. If they were, they’d keep score and try to improve their predictions based on past errors. They don’t.

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Begin Again

Begin Again – Music and New York, from the director of Once.

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From A Field Guide to Getting Lost:

For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go. For the blue is not in the place those miles away at the horizon, but in the atmospheric distance between you and the mountains.

……

Blue is the color of longing for the distances you never arrive in, for the blue world.

More here.

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I agree with all of Bryan’s advice/strategies.

I like to think of myself as a non-conformist. But my guess is that most people also like to think of themselves as non-conformists, at least in some ways. Like other personality traits, there is probably a conformist vs. non-conformist scale where each of us lies, and it could vary for different issues (i.e. we conform to some norms/conventions and not others). Guess one message from Bryan’s post is that we should be smart in choosing which battle we want to fight. Life is all about balance and trade-offs.

PS: Good time to re-read Emerson’s Self Reliance:

What I must do is all that concerns me, not what the people think. This rule, equally arduous in actual and in intellectual life, may serve for the whole distinction between greatness and meanness. It is the harder, because you will always find those who think they know what is your duty better than you know it. It is easy in the world to live after the world’s opinion; it is easy in solitude to live after our own; but the great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude.

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WSJ has an article asking how much sleep do we need. Some experts argue that seven hours might be optimal, while others think we should sleep longer. As usual we should be skeptical about these findings. My guess is that it differs by person, and the quality of sleep is as important as the amount of sleep.

This might be a way to find out your optimal amount of sleep:

Experts say people should be able to figure out their optimal amount of sleep in a trial of three days to a week, ideally while on vacation. Don’t use an alarm clock. Go to sleep when you get tired. Avoid too much caffeine or alcohol. And stay off electronic devices a couple of hours before going to bed. During the trial, track your sleep with a diary or a device that records your actual sleep time. If you feel refreshed and awake during the day, you’ve probably discovered your optimal sleep time.

 

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Interesting article arguing against sending kids to top schools. I’m sympathetic to some of the author’s views and think it’s better for kids to 1) focus less on grades and career prospects and more on learning and personal development, 2) take more risks and worry less about failing,  and 3) mix with people from different background and social class, including those from lower incomes. At the same time, I don’t think we can deny that there are many benefits from studying in top institutions. As I noted previously, today’s education system is like an arms race. I don’t like it but nevertheless need to find a path that I think will be best for my children.

Some excerpts below. The whole article is interesting.

A young woman from another school wrote me this about her boyfriend at Yale:

Before he started college, he spent most of his time reading and writing short stories. Three years later, he’s painfully insecure, worrying about things my public-educated friends don’t give a second thought to, like the stigma of eating lunch alone and whether he’s “networking” enough. No one but me knows he fakes being well-read by thumbing through the first and last chapters of any book he hears about and obsessively devouring reviews in lieu of the real thing. He does this not because he’s incurious, but because there’s a bigger social reward for being able to talk about books than for actually reading them.

……

So extreme are the admission standards now that kids who manage to get into elite colleges have, by definition, never experienced anything but success. The prospect of not being successful terrifies them, disorients them. The cost of falling short, even temporarily, becomes not merely practical, but existential. The result is a violent aversion to risk. You have no margin for error, so you avoid the possibility that you will ever make an error. Once, a student at Pomona told me that she’d love to have a chance to think about the things she’s studying, only she doesn’t have the time. I asked her if she had ever considered not trying to get an A in every class. She looked at me as if I had made an indecent suggestion.

There are exceptions, kids who insist, against all odds, on trying to get a real education. But their experience tends to make them feel like freaks. One student told me that a friend of hers had left Yale because she found the school “stifling to the parts of yourself that you’d call a soul.”

……

Let’s not kid ourselves: The college admissions game is not primarily about the lower and middle classes seeking to rise, or even about the upper-middle class attempting to maintain its position. It is about determining the exact hierarchy of status within the upper-middle class itself. In the affluent suburbs and well-heeled urban enclaves where this game is principally played, it is not about whether you go to an elite school. It’s about which one you go to…

……

The major reason for the trend is clear. Not increasing tuition, though that is a factor, but the ever-growing cost of manufacturing children who are fit to compete in the college admissions game. The more hurdles there are, the more expensive it is to catapult your kid across them. Wealthy families start buying their children’s way into elite colleges almost from the moment they are born: music lessons, sports equipment, foreign travel (“enrichment” programs, to use the all-too-perfect term)most important, of course, private-school tuition or the costs of living in a place with top-tier public schools. The SAT is supposed to measure aptitude, but what it actually measures is parental income, which it tracks quite closely. Today, fewer than half of high-scoring students from low-income families evenenroll at four-year schools.

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A long article by Nancy Andreasen on her research on creativity. Excerpts:

As in the first study, I’ve also found that creativity tends to run in families, and to take diverse forms. In this arena, nurture clearly plays a strong role. Half the subjects come from very high-achieving backgrounds, with at least one parent who has a doctoral degree. The majority grew up in an environment where learning and education were highly valued. This is how one person described his childhood:

Our family evenings—just everybody sitting around working. We’d all be in the same room, and [my mother] would be working on her papers, preparing her lesson plans, and my father had huge stacks of papers and journals … This was before laptops, and so it was all paper-based. And I’d be sitting there with my homework, and my sisters are reading. And we’d just spend a few hours every night for 10 to 15 years—that’s how it was. Just working together. No TV.

……

I’ve been struck by how many of these people refer to their most creative ideas as “obvious.” Since these ideas are almost always the opposite of obvious to other people, creative luminaries can face doubt and resistance when advocating for them. As one artist told me, “The funny thing about [one’s own] talent is that you are blind to it. You just can’t see what it is when you have it … When you have talent and see things in a particular way, you are amazed that other people can’t see it.” Persisting in the face of doubt or rejection, for artists or for scientists, can be a lonely path—one that may also partially explain why some of these people experience mental illness.

……

One interesting paradox that has emerged during conversations with subjects about their creative processes is that, though many of them suffer from mood and anxiety disorders, they associate their gifts with strong feelings of joy and excitement. “Doing good science is simply the most pleasurable thing anyone can do,” one scientist told me. “It is like having good sex. It excites you all over and makes you feel as if you are all-powerful and complete.” This is reminiscent of what creative geniuses throughout history have said.

……

Some of the other most common findings my studies have suggested include:

Many creative people are autodidacts. They like to teach themselves, rather than be spoon-fed information or knowledge in standard educational settings…Because their thinking is different, my subjects often express the idea that standard ways of learning and teaching are not always helpful and may even be distracting, and that they prefer to learn on their own. Many of my subjects taught themselves to read before even starting school, and many have read widely throughout their lives…

Many creative people are polymaths, as historic geniuses including Michelangelo and Leonardo da Vinci were

Creative people tend to be very persistent, even when confronted with skepticism or rejection…

……

In A Beautiful Mind, her biography of the mathematician John Nash, Sylvia Nasar describes a visit Nash received from a fellow mathematician while institutionalized at McLean Hospital. “How could you, a mathematician, a man devoted to reason and logical truth,” the colleague asked, “believe that extraterrestrials are sending you messages? How could you believe that you are being recruited by aliens from outer space to save the world?” To which Nash replied: “Because the ideas I had about supernatural beings came to me the same way that my mathematical ideas did. So I took them seriously.”

Some people see things others cannot, and they are right, and we call them creative geniuses. Some people see things others cannot, and they are wrong, and we call them mentally ill. And some people, like John Nash, are both.

 

 

 

 

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Good profile of Michael Jordan, touching on themes like ageing, obsession, nostalgia, and acceptance. “All glory is fleeting.”

Excerpts:

Michael Jordan, just in case anyone didn’t recognize the owner of a struggling franchise who in another life was the touchstone for a generation. There’s a shudder in every child of the ’80s and ’90s who does the math and realizes that Michael Jordan is turning 50. Where did the years go? Jordan has trouble believing it, difficulty admitting it to himself.

……

“I … I always thought I would die young,”……His mother would get angry with him when he’d talk to her about it. He just could never imagine being old. He seemed too powerful, too young, and death was more likely than a slow decline. The universe might take him, but it would not permit him to suffer the graceless loss and failure of aging. A tragic flaw could undo him but never anything as common as bad knees or failing eyesight.

……

The memories came to him, how he felt then. “It was very pure, if I can say it right,” he’d explain later. “It was pure in 1984 … I was still dreaming.”

……

“I value that,” he says. “I like reminiscing. I do it more now watching basketball than anything. Man, I wish I was playing right now. I would give up everything now to go back and play the game of basketball.” “How do you replace it?” he’s asked. “You don’t. You learn to live with it.” “How?” “It’s a process,” he says.

……

His whole life has been about proving things, to the people around him, to strangers, to himself. This has been successful and spectacularly unhealthy. If the boy in those letters from Chapel Hill is gone, it is this appetite to prove — to attack and to dominate and to win — that killed him. In the many biographies written about Jordan, most notably in David Halberstam’s “Playing for Keeps,” a common word used to describe Jordan is “rage.” Jordan might have stopped playing basketball, but the rage is still there. The fire remains, which is why he searches for release, on the golf course or at a blackjack table, why he spends so much time and energy on his basketball team and why he dreams of returning to play.

……

“It’s gone,” he says. “I can’t get it back. My ego is so big now that I expect certain things. Back then, you didn’t.”

……

The [Hall of Fame] speech itself, if you watch it again, is an open window into what Jordan is like in private: funny, caustic, confident, sarcastic, competitive. He sees himself not as a gifted athlete but as someone who refused to lose.

……

He described what the game meant to him. He called it his “refuge” and the “place where I’ve gone when I needed to find comfort and peace.” Basketball made him feel complete, and it was gone. “One day,” he said, “you might look up and see me playing the game at 50.”

……

When he mentions that Yvette never saw him play basketball, he says, “She never saw me at 218.” On the wall of his office there’s a framed photograph of him as a young man, rising toward the rim, legs pulled up near his chest, seeming to fly. He smiles at it wistfully. “I was 218,” he says.

……

The chasm between what his mind wants and what his body can give grows every year. If Jordan watches old video of Bulls games and then hits the gym, he says he’ll go “berserk” on the exercise machines. It’s frightening. A while back, his brother, Larry, who works for the team, noticed a commotion on the practice court. He looked out the window of his office and saw his brother dominating one of the best players on the Bobcats in one-on-one. The next morning, Larry says with a smile, Jordan never made it into his office. He got as far as the team’s training room, where he received treatment.”You paying the price, aren’t you?” Larry asked. “I couldn’t hardly move,” Jordan said.

……

There’s no way to measure these things, but there’s a strong case to be made that Jordan is the most intense competitor on the planet. He’s in the conversation, at the very least, and now he has been reduced to grasping for outlets for this competitive rage.

……

His self-esteem has always been, as he says, “tied directly to the game.” Without it, he feels adrift. Who am I? What am I doing? For the past 10 years, since retiring for the third time, he has been running, moving as fast as he could, creating distractions, distance. When the schedule clears, he’ll call his office and tell them not to bother him for a month, to let him relax and play golf. Three days later they’ll get another call, asking if the plane can pick him up and take him someplace. He’s restless.

……

“It’s consumed me so much,” he says. “I’m my own worst enemy. I drove myself so much that I’m still living with some of those drives. I’m living with that. I don’t know how to get rid of it. I don’t know if I could. And here I am, still connected to the game.”

……

Aging means losing things, and not just eyesight and flexibility. It means watching the accomplishments of your youth be diminished, maybe in your own eyes through perspective, maybe in the eyes of others through cultural amnesia. Most people live anonymous lives, and when they grow old and die, any record of their existence is blown away. They’re forgotten, some more slowly than others, but eventually it happens to virtually everyone. Yet for the few people in each generation who reach the very pinnacle of fame and achievement, a mirage flickers: immortality. They come to believe in it. Even after Jordan is gone, he knows people will remember him. Here lies the greatest basketball player of all time. That’s his epitaph. When he walked off the court for the last time, he must have believed that nothing could ever diminish what he’d done. That knowledge would be his shield against aging.

 

There’s a fable about returning Roman generals who rode in victory parades through the streets of the capital; a slave stood behind them, whispering in their ears, “All glory is fleeting.” Nobody does that for professional athletes. Jordan couldn’t have known that the closest he’d get to immortality was during that final walk off the court, the one symbolically preserved in the print in his office. All that can happen in the days and years that follow is for the shining monument he built to be chipped away, eroded. Maybe he realizes that now. Maybe he doesn’t. But when he sees Joe Montana joined on the mountaintop by the next generation, he has to realize that someday his picture will be on a screen next to LeBron James as people argue about who was better.

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Tips from Bill Watterson, creator of Calvin and Hobbes. 

My comic strip was the way that I explored the world and my own perceptions and thoughts. So to switch off the job I would have had to switch off my head. So, yes, the work was insanely intense, but that was the whole point of doing it.

……

Quite honestly I tried to forget that there was an audience. I wanted to keep the strip feeling small and intimate as I did it, so my goal was just to make my wife laugh. After that, I’d put it out, and the public can take it or leave it.

……

My advice has always been to draw cartoons for the love of it, and concentrate on the quality and be true to yourself. Also try to remember that people have better things to do than read your work. So for heaven’s sake, try to entice them with some beauty and fun.

……
A comic strip takes just a few seconds to read, but over the years, it creates a surprisingly deep connection with readers. I think that incremental aspect, that unpretentious daily aspect, is a source of power.

Interview with Austin Kleon

But I think there’s a way in which you can think about your creative process itself—the real work—and break that down into shareable bits. And if you share a little piece of your process every day, it’s a very sustainable way of promoting your work. Not promoting yourself, but promoting your work.

There’s this great story about the writer Christopher Hitchens. He said that writing a book is like getting a free education that lasts a lifetime. He was talking about how the people who read his books would email him and write him letters or he would meet them at events, and they were constantly feeding him stuff. He wasn’t just learning from writing the book, he was also learning from people’s reactions to the book.

And I think that’s the way to think about self-promotion: Think about it as opening the door to learning. In the simple act of sharing your creative process, sharing the stuff that you make, and sharing your ideas, you will get responses that feed back into your work.

And then the trick becomes how to let that feedback in without letting it hurt you. And that’s the dance of the artistic life, isn’t it? Separating what’s helpful from what’s destructive.

……

I think people seriously underestimate what 15 minutes a day for 10 years will do versus 10 hours a day for a year. If you do little bits and pieces every day, after a while, you have this body of work.

……

We all get 24 hours. No one gets more time. Sure, you might have your job, you might have a kid, you might have a family—I had all of those things when I was writing my first book—but when you get ruthless about what you really want to do, there are so many gaps. So many little spaces in the day where you can find the time. I know a lot of writers that just straight up steal time from work. It’s just a matter of prioritizing. Are you going to watch five episodes of Duck Dynasty in a row? Or are you going to write a novel?

……

It happens a lot of in creative work that you finish a project and you don’t know what to do next. It can be a bit disconcerting. And I think that’s why it’s so important to have a daily practice that you do no matter what you are working on.

My thing is that I make one of these blackout poems every day. I just do it every day, no matter what. It gets me in the zone. Then, from there, I can work on different things.

It’s all about staying in motion. Inertia is the antithesis of creativity.

Joshua Rothman on Knausgaard

Knausgaard has found his own way of understanding it: as a struggle. It’s the struggling that gives life its texture—constant, absorbing, and unending, the same whether you’re nine, nineteen, or thirty-nine. Like many struggles, this one is simultaneously tormenting and rewarding, heroic and pathetic, dynamic and static, purposeful and a waste of time. The main thing is that you can’t stop struggling. You’re a creature of struggle. You desperately want to win each battle but you never want the war to end.

……

Reading “My Struggle,” you’re pulled inside these rhythms; at the same time, you’re surprised by the subjects out of which they emerge. It makes sense for big, important experiences to be understood in this way: the consummation of a romance, the death of a father, the birth of a child, writing a book. It makes less sense for lesser experiences. And yet Knausgaard finds this same rhythm everywhere: in a long drive to see his grandparents; in a swimming lesson; in grocery shopping; in playing guitar; in making tea; in cleaning a bathroom.

……

These are events he anticipates, fears, and relishes, and in which he understands himself as performing well or badly. He takes them seriously. But it’s not that these events matter—they don’t. It’s that this is life, and life is a struggle; to live is to care. “Indifference is one of the seven deadly sins, actually the greatest of them all, because it is the only one that sins against life,” he writes, at the end of the second volume.

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Shane posted this letter from Hunter S. Thompson to his friend. Great advice from a young person.

Bottom line: “Decide how you want to live and then see what you can do to make a living WITHIN that way of life.” 

April 22, 1958
57 Perry Street
New York City

Dear Hume,

You ask advice: ah, what a very human and very dangerous thing to do! For to give advice to a man who asks what to do with his life implies something very close to egomania. To presume to point a man to the right and ultimate goal— to point with a trembling finger in the RIGHT direction is something only a fool would take upon himself.

I am not a fool, but I respect your sincerity in asking my advice. I ask you though, in listening to what I say, to remember that all advice can only be a product of the man who gives it. What is truth to one may be disaster to another. I do not see life through your eyes, nor you through mine. If I were to attempt to give you specific advice, it would be too much like the blind leading the blind.

“To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles … ” (Shakespeare)

And indeed, that IS the question: whether to float with the tide, or to swim for a goal. It is a choice we must all make consciously or unconsciously at one time in our lives. So few people understand this! Think of any decision you’ve ever made which had a bearing on your future: I may be wrong, but I don’t see how it could have been anything but a choice however indirect— between the two things I’ve mentioned: the floating or the swimming.

But why not float if you have no goal? That is another question. It is unquestionably better to enjoy the floating than to swim in uncertainty. So how does a man find a goal? Not a castle in the stars, but a real and tangible thing. How can a man be sure he’s not after the “big rock candy mountain,” the enticing sugar-candy goal that has little taste and no substance?

The answer— and, in a sense, the tragedy of life— is that we seek to understand the goal and not the man. We set up a goal which demands of us certain things: and we do these things. We adjust to the demands of a concept which CANNOT be valid. When you were young, let us say that you wanted to be a fireman. I feel reasonably safe in saying that you no longer want to be a fireman. Why? Because your perspective has changed. It’s not the fireman who has changed, but you. Every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man, and hence your perspective changes. This goes on and on. Every reaction is a learning process; every significant experience alters your perspective.

So it would seem foolish, would it not, to adjust our lives to the demands of a goal we see from a different angle every day? How could we ever hope to accomplish anything other than galloping neurosis?

The answer, then, must not deal with goals at all, or not with tangible goals, anyway. It would take reams of paper to develop this subject to fulfillment. God only knows how many books have been written on “the meaning of man” and that sort of thing, and god only knows how many people have pondered the subject. (I use the term “god only knows” purely as an expression.) There’s very little sense in my trying to give it up to you in the proverbial nutshell, because I’m the first to admit my absolute lack of qualifications for reducing the meaning of life to one or two paragraphs.

I’m going to steer clear of the word “existentialism,” but you might keep it in mind as a key of sorts. You might also try something called Being and Nothingness by Jean-Paul Sartre, and another little thing called Existentialism: From Dostoyevsky to Sartre. These are merely suggestions. If you’re genuinely satisfied with what you are and what you’re doing, then give those books a wide berth. (Let sleeping dogs lie.) But back to the answer. As I said, to put our faith in tangible goals would seem to be, at best, unwise. So we do not strive to be firemen, we do not strive to be bankers, nor policemen, nor doctors. WE STRIVE TO BE OURSELVES.

But don’t misunderstand me. I don’t mean that we can’t BE firemen, bankers, or doctors— but that we must make the goal conform to the individual, rather than make the individual conform to the goal. In every man, heredity and environment have combined to produce a creature of certain abilities and desires— including a deeply ingrained need to function in such a way that his life will be MEANINGFUL. A man has to BE something; he has to matter.

As I see it then, the formula runs something like this: a man must choose a path which will let his ABILITIES function at maximum efficiency toward the gratification of his DESIRES. In doing this, he is fulfilling a need (giving himself identity by functioning in a set pattern toward a set goal), he avoids frustrating his potential (choosing a path which puts no limit on his self-development), and he avoids the terror of seeing his goal wilt or lose its charm as he draws closer to it (rather than bending himself to meet the demands of that which he seeks, he has bent his goal to conform to his own abilities and desires).

In short, he has not dedicated his life to reaching a pre-defined goal, but he has rather chosen a way of life he KNOWS he will enjoy. The goal is absolutely secondary: it is the functioning toward the goal which is important. And it seems almost ridiculous to say that a man MUST function in a pattern of his own choosing; for to let another man define your own goals is to give up one of the most meaningful aspects of life— the definitive act of will which makes a man an individual.

Let’s assume that you think you have a choice of eight paths to follow (all pre-defined paths, of course). And let’s assume that you can’t see any real purpose in any of the eight. THEN— and here is the essence of all I’ve said— you MUST FIND A NINTH PATH.

Naturally, it isn’t as easy as it sounds. You’ve lived a relatively narrow life, a vertical rather than a horizontal existence. So it isn’t any too difficult to understand why you seem to feel the way you do. But a man who procrastinates in his CHOOSING will inevitably have his choice made for him by circumstance.

So if you now number yourself among the disenchanted, then you have no choice but to accept things as they are, or to seriously seek something else. But beware of looking for goals: look for a way of life. Decide how you want to live and then see what you can do to make a living WITHIN that way of life. But you say, “I don’t know where to look; I don’t know what to look for.”

And there’s the crux. Is it worth giving up what I have to look for something better? I don’t know— is it? Who can make that decision but you? But even by DECIDING TO LOOK, you go a long way toward making the choice.

If I don’t call this to a halt, I’m going to find myself writing a book. I hope it’s not as confusing as it looks at first glance. Keep in mind, of course, that this is MY WAY of looking at things. I happen to think that it’s pretty generally applicable, but you may not. Each of us has to create our own credo— this merely happens to be mine.

If any part of it doesn’t seem to make sense, by all means call it to my attention. I’m not trying to send you out “on the road” in search of Valhalla, but merely pointing out that it is not necessary to accept the choices handed down to you by life as you know it. There is more to it than that— no one HAS to do something he doesn’t want to do for the rest of his life. But then again, if that’s what you wind up doing, by all means convince yourself that you HAD to do it. You’ll have lots of company.

And that’s it for now. Until I hear from you again, I remain,

your friend,
Hunter

PS: I came across this earlier in another link, but still good to read the whole letter.

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