
Here is one review.
Combining the aching yearning of Wong Kar-Wai’s In the Mood for Love with the casual intimacy of Richard Linklater’s Before trilogy, it paints a picture of unresolved affection as delicate as it is profound, interweaving timeless themes of fate and providence with more playfully down-to-earth musings on happenstance and shapeshifting identity. The result, which has one foot in South Korea and the other in North America, feels at times like an impossible mashup of Davy Chou’s Return to Seoul and Nora Ephron’s Sleepless in Seattle, shot through with a stoical melancholia that recalls the final scenes of Yasujiro Ozu’s Tokyo Story. Yes, really.
Life is all about choices. And there is no one correct path. Opening one door often means closing another.
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