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Eric Barker has a wonderful post summarising Camus’ thoughts on finding meaning in life. A good reminder to paint our own canvas and live with passion, even when things are tough and life seems meaningless. I’m not sure I’m strong enough to always be kind and forgiving, even to those I love, but it’s a goal worth aiming for.

Excerpts:

Camus isn’t telling you that life is pointless; he’s telling you that life has no given point. The point is what you do, and how honestly you do it. Camus didn’t say there is no meaning; he said there is no meaning unless you live as if there is. You have to earn it. With action. To live so deliberately, so unapologetically in the face of The Absurd that you become your own answer.

Real freedom is choosing, but with no promise of success, no cosmic guarantee. It’s acting as if it matters when you know it might not. And if that makes you uncomfortable, good. That means you’re paying attention. Freedom isn’t liberation from constraints; it’s what happens when you acknowledge, without excuse, that you are the sole author of your actions. Because freedom isn’t an escape from fear. It’s choosing in spite of it. It’s stepping into the uncertainty without needing to know how it ends…

The world may be absurd, but your actions aren’t. That solidarity isn’t a reward for good people; it’s how you become one…

Camus wrote about The Absurd as a challenge. When life refuses to give you meaning, you don’t give up. Camus tells us: the only way to survive the universe’s indifference is to become stubbornly, gloriously alive anyway. He wanted us to pour ourselves into everything: love, art, work, friendship, the whole messy buffet of human existence…

Most of our lives won’t be remembered long after we’re gone. But maybe, if we’re lucky, someone will remember the way we made them laugh until they cried, or the way we kissed them in the kitchen while the pasta boiled over, or the way we cared, stupidly and stubbornly, about something that didn’t matter to anyone but us.

The moments I remember most, the ones that feel lit from within, aren’t the logical ones. They aren’t efficient or strategic. They’re messy. They’re stupid. But they’re passionate. They’re the arguments that ended in laughter, the friendships that started with confessions, the blog posts that somehow arrived at clarity through sheer stubborn intensity. So yes, let’s live with passion. Let’s love like idiots, work like maniacs, and create like children with crayons and no concern for staying inside the lines.

It’s easier, of course, to detach. To call things meaningless and retreat into irony or intellect or whatever shield we’ve built to keep the world at a distance. But nothing grows in that space. To live with passion is to risk being broken. But it’s also the only way to be whole…

A while back, during a particularly grim stretch of what I call “my life”, I thought the lesson was detachment. I thought Camus was saying nothing matters, so don’t get too close. But I was wrong. He wasn’t asking us to step back. He was daring us to step closer. To love anyway. To create anyway.

There’s no epiphany. Just small, stubborn acts. A soft defiance. You love people who might not love you back. To be kind, even when kindness feels futile. To forgive someone who doesn’t say sorry. To write something no one will ever read, or plant something you might not live to see bloom. Because you’re free. The only meaning is the meaning we make.

Accept the responsibility. Enjoy the companionship of friends. Feel the passion in those moments that forge memories. And, if we embrace these things, it’s more than worth it. Life isn’t meaningless; it’s just a blank canvas upon which we paint.

Let’s see the world as it is: messy, indifferent, occasionally beautiful, filled with both disappointments and joys.

The Absurd doesn’t go away. But if you live with passion, you stop needing it to.

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Love is an uncertain feeling, while enjoying each other’s company is more tangible. I like the chemistry between the main characters, even though Nishikata’s character feels unrealistic when he’s an adult. Infatuation fades, but finding ways to think about our loved ones and enjoy each other’s company seems more sustainable. Their interaction is a bit like Nagao and Rika’s in Tokyo Love Story. The actress Mei Nagano’s expressions remind me of Milet, and the ending song by Aimei is lovely.

PS: I watched the Netflix series after this movie and learned that it is adapted from a shonen manga. I guess it’s like Densha Otoko, where men who lack confidence in themselves have their fantasies come true.

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A beautiful anime about the friendship of two girls aspiring to become manga artists, showcasing their struggles, doubts, and the hard work often unseen by others.

I always thought drawing was a solitary activity. However, if one is fortunate enough to find a like-minded friend who shares the same passion, working together can make the challenges more bearable, while appreciating each other’s efforts and works can make the process more enjoyable.

Life is short. Finding connections with likeminded people can be one of the most rewarding experiences.

Here’s a review with spoilers, and here’s one without.

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I mistakenly bought some tiny Shikiji boards online, but it turns out they are enough to draw One Piece card portraits.

“You can’t see the whole picture until you look at it from the outside.” — Trafalgar Law

“The thing I’m most afraid of…is being consumed by this country, and becoming a completely different person.”— Sabo

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Love that grows deeper with time

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Travel Banter: Falling in Love

Ochette: Aggie! The man over there asked me to give this to you.

Agnea: A letter? I wonder what it says…

“I never believed in love at first sight until I saw you.” “Would you have dinner with me? I know where they serve the finest meat in town.”

Castti: Why, this is…

Throne: A love letter!

Ochette: The finest meat in town…You’re going right, Aggie?

Castti: You’re drooling, Ochette…

Throne: Everything is an experience, Agnea.

Castti: But not every experience needs to be had. Men can be wolves, but you’re no sheep.

Ochette: Awoooo!

Agnea: H-hold on just a moment! I am flattered, but…I think I need to refuse. We’re in the middle of a journey. I doubt I’ll have much time for romance.

Castti: A wise decision. You have a good head on your shoulder, Agnea.

Agnea: I…I didn’t know people actually sent love letters…

Castti: I’m surprised. I would’ve thought you’d have gotten piles of them back in your hometown.

Throne: You mentioned you were close with a certain tavern keep, didn’t you?

Agnea: G-G-Gus!? But he’s just a friend!

Throne: Perhaps to you. But are you sure he feels the same? You’ve fallen in love before, haven’t you, Agnea?

Agnea: L-love, huh…

Ochette: Huh? How do you fall into love?

Castti: It’s hard to explain, but…you’ll know when your heart starts to flutter.

Ochette: Hmm…I don’t get it…

Throne: By the by, what is romance like for beastlings?

Ochette: Well, my ma and pa bonded over their love of meat!

Throne: I…I see.

Agnea: If we’re talking about when our hearts flutter, mine certainly has! In fact, it just won’t stop whenever I make someone laugh or smile with my dancing.

Throne: Hah, you truly were born for the stage, Agnea.

Agnea: What makes your heart flutter, Castti?

Castti: Hmm…I suppose whenever someone shows me their vulnerable side. It makes me want to protect them.

Ochette: You’re a real mother hen, Castti!

Throne: I can’t stand weaklings.

Castti: Oh? Then what makes your heart flutter, Throne?

Throne: …When they wag their tail.

Agnea: Are you talking about…dogs?

Throne: Hah, of course I am. They’re so adorable and they love me, too.

Ochette: Ohhh, I get it now!

Throne: You do…?

Ochette: Feeling in love is like…when you see someone you like and your tail won’t stop wagging! Heh heh. It’s pretty embarrassing, isn’t it?

Castti: ! Could it be…

Agnea: …Ochette’s fallen in love, too?

Travel Banter: Memories of Youth

Partitio: Comin’ to a tavern never fails to remind me that I’m a man grown now. Feels like my childhood was a lifetime ‘n’ a half ago.

Temenos: Haha. Might I ask what you were like in your youth, Partitio?

Partitio: Me? I was trying’ to be a merchant, just like Pops. I spent my days learnin’ everything I could from sunup to sundown. Not much has changed, now that I think about it.

Temenos: I see. You’ve always been dedicated to mastering your craft, then.

Partitio: Heh, guess so. Say, Osvald, what were you like as a kid?

Osvald: My days were spent reading. I thought I had all the time in the world back then. But now I realise how naive I was. Time is finite. One must choose wisely how to spend it.

Temenos: I know precisely how you feel. Life was much simpler when we were children. Wasn’t it?

Partitio: And you, Temenos?

Temenos: Well…Long ago, my friend Ron was bedridden with a high fever. At the time, I could do nothing but pray for him. I begged the gods to save his life.

Partitio: So you were a stand-up fella even back then, huh.

Temenos: Haha…If I could speak to my younger self now, I would say thus: “Rely not on the gods, but your own power to save him.”

Osvald: …

Partitio: I guess as time goes by…we all change, just like the seasons.

Temenos: We cannot remain children forever.

Osvald: Indeed. Our youth is gone…and shall not return.

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Sketches X

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What defines our identity? If we change, are we still the same person? Most would say yes. But what about incidents that change our brains, affecting our memories, personality, or behavior? This reminds me of Theseus’ paradox, a thought experiment that asks whether an object that has had all of its components replaced over time is still the same object.

Maria Popova thinks soul is the best shorthand to describe that continuous center within us, and excepted this beautiful quote by Virginia Woolf:

The man* who is aware of himself is henceforward independent; and he is never bored, and life is only too short, and he is steeped through and through with a profound yet temperate happiness. He alone lives, while other people, slaves of ceremony, let life slip past them in a kind of dream. Once conform, once do what other people do because they do it, and a lethargy steals over all the finer nerves and faculties of the soul. She becomes all outer show and inward emptiness; dull, callous, and indifferent.

Let us simmer over our incalculable cauldron, our enthralling confusion, our hotch-potch of impulses, our perpetual miracle — for the soul throws up wonders every second. Movement and change are the essence of our being; rigidity is death; conformity is death: let us say what comes into our heads, repeat ourselves, contradict ourselves, fling out the wildest nonsense, and follow the most fantastic fancies without caring what the world does or thinks or says.

I’m not sure if we should always follow our hearts. But it seems like many of us don’t pay enough attention to our inner selves. Embracing change, listening to our soul, and having the courage to be ourselves seem like good advice for many of us.

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I am a fan of the Before series and happy to come across this article about the Paris apartment in the movie.

As Celine opens the front door there is an inescapable sense that, unlike the other locations they have visited, this is a destination, not somewhere to pass through.

Yes, we see Celine’s apartment through Jesse’s eyes, and see how it represents everything he feels his 30-something married life is lacking: freedom, adventure and pleasure. But, I understood it also marks the moment when Celine stops being Jesse’s fantasy woman — existing in his memory and his dreams as a symbol of lost youth — and comes into focus as a fully real person. Sitting on her wonky futon, looking at her childhood photos, rifling through her CDs, Jesse can finally get under Celine’s skin. And isn’t that the most fervent fantasy of all? To invite someone in, reveal the intimate, cluttered parts of yourself, and be truly known?

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